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"When a person needs something, I would jump in to figure out how to make that happen. I try my best to provide," says Nando Rodriguez, co-director of Open Road Park, a park created by teens for teens. Walking into the park located on 12th Street, between 1st and A avenue, it takes a second to realize that there's about an acres worth of land devoted to recreational activity.  From basketball courts to skate ramps, greenhouses to BBQ spaces, graffiti events to music concerts, waterfalls to ponds, the park provides a playground for teens ages 13-18. An intense graffiti event is going on outside on a Saturday afternoon where summer rain is unpredictable but the weather couldn't drive the participants away. White Ts soaked and all, they continued to spray-praint visual works of art on canvasses distributed throughout the basketball courts. A couple of teenagers are strewn around Rodriguez, who is patiently getting a haircut from his cousin in one of two heated greenhouses located in the park. Though he is restricted to minimal movement, he passionately discusses the birth of the park. |
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Ten o’clock at night a few weeks ago I called Tilson, one the MCs for Seattle’s fantastic rap/rock trio, The Saturday Knights, at his home in Seattle. The release date for their debut full-length on Seattle’s Light In The Attic Records, Mingle, approaching fast, I was looking forward to speaking with the band again. It had been a year since our last conversation, a year in which they assembled the new record, the finest concoction of genre I’ve heard since the Beastie Boys’ Paul’s Boutique or Licensed to Ill. It seems fitting that this rap/rock/funk group is signed to Light in the Attic, a label that combines reissues like Karen Dalton’s In My Own Time (the label also launched off a series of Free Design CDs) and the consistently excellent Jamaica-to-Toronto series, while also hosting a roster rock solid with the “indie cred” so necessary in today’s music market: enter Austin’s Black Angels and Seattle’s The Blakes. The Saturday Knights, defying any explicit categorization or description, wouldn’t fit on any label that didn’t also defy categories and niches. |
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The enchanting cabaret band known as The Dresden Dolls have carved their name into music’s heart, inviting those willing into their seductive world of punk meets performance art. The past few years have been appreciative of the Dolls and after a successful sophomore album, Yes Virginia, vocalist/keyboardist Amanda Palmer and drummer Brian Viglione released No, Virginia, an album of b-sides and extras to quell the rabid masses as Palmer finishes her solo album. |
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 Next Tuesday, the night of June 24th, The Laughing Dogs will reunite to play their first gig in some 25 years at the Village Underground. Veterans of the late ‘70s music scene here in New York City will undoubtedly remember them as one of the bands who played CBGB and other venues alongside Blondie, The Ramones, Talking Heads and other legendary acts. The Dogs may not have become as famous as those bands, but they were arguably just as good. And they released two major label albums, in 1979 and 1980, the first of which got substantial radio play. |
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Queens Community House is a non-profit human services organization offering a wide array of programs and services for residents of the borough. A fixture in the borough for the past three decades, the QCH serves around 20,000 per year, ranging from children to senior citizens  and everybody in between. Among the various activities to be found are citizenship programs, a small employment program, computer labs at each of the twenty centers, banking services for immigrants, and homelessness prevention programs. “We have outstanding service,” states Yvette Dilworth, the Director of Development. “We may not necessarily respond to a single crisis in a person’s life, [but] we have the ability to provide for many crises in a person’s life and help people live their life a little less stressful. We are able to be an outstanding resource for someone, so even if we cannot provide the actual service, we are definitely a resource. We collaborate very well with other organizations strengthen the offerings that are available to people in general. We help people in their day-to-day lives, which sort of gets a little underestimated. It’s important people know that we’re here.” |
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The Omaha band Tilly and the Wall have gained fans of all ages with their quirky anthems and inclusive live shows. “We have anyone from a 60-year-old man to a 9-year-old girl,” singer/ guitarist Derek Pressnall says. “Seriously, that’s like our fanbase.” On an unusually warm April day, Derek along with his wife (and resident tap dancer) Jamie sat down with me in Madison Square Park to talk about their new album O, working together and getting their own Barbies.  |
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